Columbia University Women's Conference

"Art, Resistance and Responsibility" Panel with Me, Sheila Nevins '60BC, and Mabel Wilson '91GSAPP

February 11, 2018

"Dissent Collar #9 (blue lips)" / archival inkjet print

"Dissent Collar #9 (blue lips)" / archival inkjet print

'Dissent Collars' at Say What Gallery in Tannersville, NY

My Dissent Collars are being shown at the Say What Gallery in Tannersville, NY. The show is curated by Jane Curley. I had a lovely time installing this show--the gallery is a big, graceful space, the town is quirky and pretty, the Catskills are gorgeous and pleasantly ominous, and everyone associated with the gallery was terrific--smart, thoughtful and very helpful and kind. Thank you all!


 A lecture at the College of the Atlantic, in Bar Harbor, ME. 

July 6, 5-7PM
Thomas S. Gates, Jr. Community Center

I am so pleased to be invited to talk at this amazing place! I will be speaking about my Dissent Collars, and look forward to sharing this new work with the COA community. Please come.

It was all a dream

June 23 - August 25, 2017
Roxana Alger Geffen, Rives Wiley, Dave Eassa
Curated by Caitlin Berry

Carroll Square Gallery
975 F Street NW, Washington DC 20004

"The space we inhabit between dreams and waking life can often feel surreal. The rules of the physical world can be broken, disbelief set aside, and tricks of the mind performed with ease. While entering consciousness, we may ask ourselves, “Was it all a dream?” Even our waking lives can prove to be as chaotic and disorienting as this dream-state. In this exhibition three artists address the sensation of existing in a dreamlike state as it relates to their personal experiences and the world at large.

Roxana Alger Geffen calls upon the chaos of domestic life in her installations and wall constructions, using textiles and found objects. Her work is both a humorous celebration and an uncanny manifestation of every day life as a mother. Rives Wiley’s purely two-dimensional paintings evoke a disorienting sense of unease in architectural space. The figures in these works are trapped, but unaware that they exist only partially or may never be able to escape the confines of the canvas. Dave Eassa’s thickly painted pink figures engaging in various activities read as cartoonish, yet represent the deeper identities of the psyche. The figures are navigating not only the physical world, but also the emotional content of the self.

Each artist addresses the absurdity of the social, political, and societal constructs that exist in the real world, in dreams, and somewhere in between."


Review of Motherload in the April issue of Sculpture Magazine by DC curator and art historian Laura Roulet

Thank you, Laura!